Dialog Editing For Film And TV For Pro Tools Mac版  2.0.2 收费

    Dialog Editing For Film And TV For Pro Tools Mac版  2.0.2收费北风漫山遍野呼九牛二虎之力啸32. 一本好书胜过珍宝，一本坏书比一个强盗更坏。’因此，开卷是否有益，得先看开什么卷。药吃了对身体有益，但也有副做用。读书是有益的，但也有糟粕。有位哲人曾说过，能够摄取必要营养的人，比吃得很多的人更健康。同时，真正的学者往往不是见书就读的人，而是会读书的人。我衷心感谢你为我和我家人所做的一切。51.人无远虑，必有近忧。

    Avid’s Pro Tools is the premiere DAW for editing dialog for TV and Film. Learn the Pro Tools audio editor's workflow in this advanced, 4-hour course by post-production expert, Roy Vargas.
    Tutorial Features:
    ? 243 minutes of video training
    ? Super clear explanations
    ? Offline Playback (no internet connection needed)
    ? Easy to navigate
    Course Outline:
    1. Session Layout: Anatomy of a Post-Production Project
    2. The Video Track
    3. The Guide Track
    4. Production Tracks
    5. Supported Session Formats
    6. Session Folder Hierarchy and Storage
    7. Before Starting a Project
    8. A Brief Word About Timecode
    9. What Are Reference Tones?
    10. Reference Tones - Generating
    11. Sync Pops
    12. Mix Templates
    13. Setting Up a Template for Dialog Editing Reference Tones
    14. Setting Up a Template for Dialog Editing Sync Pops
    15. Setting Up a Template for Other Tracks and Bu11. 你那不经意间的回眸，像一股晶莹的泉水流入我的心头，比诗还深远，比画还优美，仿佛看到我生命中的一个新的开始。ilding Your Library
    16. Checking Sync
    17. Splitting Reels
    18. Safety, Safety, Safety
    19. More About Splitting Reels
    20. The Screening and Spotting Session
    21. Creating Scene Boundaries
    22. Setting Up Your Workspace
    23. Splitting Tracks... The Art of Checker Boarding
    24. Multi-Track Field Recorders and Metadata
    25. Balancing the Scene
    26. Fades and Crossfades
    27. Room Tone: A Necessary Evil
    28. Removing Artifacts
    29. Removing Even More Artifacts
    30. Putting Words Together
    31. What is Broadband Noise
    32. Frequency Analyzers and the Spectrogram
    33. Noise Removal Tools and Tips: EQ & Filters
    34. Noise Removal Tools and Tips: Specialized
    35. Repairing Distortion
    36. Spectral Repair
    37. When All Else Fails: AlternateTtakes
    38. Recording ADR Lines
    39. Comping ADR Takes
    40. Elastic Dialog
    41. Importing ADR into a Session
    42. Narration and Other Talking Heads
    43. Tempo and Pacing
    44. Tempo, Pacing and Cadence
    45. Gain Matching
    46. To Pre Mix or Not To Pre Mix
    47. Stems
    48. Consolidating the Session
    
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